Overall rating: 5.5 / 10
For starters, I should note that I dislike
shoujo as a genre. But I do like
shoujo-ai to some extent. There are complex reasons for that, but the one which is probably the most important is that from my point of view, female characters in a typical shoujo manga/anime are nice, while male characters are not. I don't appreciate how men are depicted in shoujo in general. And if I dislike the characters themselves, surely I won't appreciate watching them playing romantic leads, while shoujo is mostly about romance. I also have a thing for female same-sex relationships, but that shouldn't necessary be in the shoujo genre. It's just that I appreciate shoujo-ai more than a straight shoujo.
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Minamoto Chikaru, the best girl in the show |
I would call Strawberry Panic! a half-good show. If you take all the things which were good in this anime, that would be about a half of it. Basically, the show consists of two typical love triangles (Shizuma - Nagisa - Tamao and Amane - Hikari - Yaya) and a lot of peripheral material with lots of supporting characters. Nagisa's part of the romance content is a messy one. That's what makes it good and interesting. Hikari's part is a plain one. That's what makes it boring as fuck. Of course, the story wouldn't be complete without Hikari's part, but I think it should had been reduced at least by half. It was left as it is probably in order to parallel with Nagisa's part till the very end. But there weren't nearly enough material for Hikari's story, so they just repeated the same moves several times and then used cliched plot device to create some shitty drama out of the blue. Regarding the supporting characters, most of them don't have their own subplot and just serve as living decorations and screen time fillers. Still, I think that Chikaru is the best girl in the show by a landslide, regardless of (or to some extent
due to) the fact that she doesn't participate in the Special Olympics called "romance". I also liked Momomi and always empathized with her, even though she and Kaname were meant to be antagonists. The rest of the dramatis personae didn't impress me at all. Especially those kouhai girls, who obviously didn't stand a chance from the beginning but persistently appeared here and there.
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Catholic setting: Hikari and Yaya in the choir |
The setting - I liked it a lot. I only have a vague idea of what all-girl catholic schools in Japan are like. Regarding the schools in the show, the "catholic" part is obviously just for decoration, fortunately. There were after-meal prayers, but no christian propaganda prohibiting intimate relationships, especially homosexual. The setting fits the plot or rather the setting
defines the plot. Most of the yuri/shoujo-ai anime/manga depict girls dating each other like it's the most natural thing to do, while it is not. That's why I would say that most of the yuri/shoujo-ai anime/manga are quite unrealistic. There are also more serious yuri/shoujo-ai anime/manga which explore the theme of female (homo)sexuality and acceptance of lesbian relationships in the society. It's much more realistic, but it's not so cute anymore. Strawberry Panic! is somewhere in the middle. It completely ignores the serious topics, but it
is realistic, while also cute. You can expect that among several hundreds of girls, studying in three isolated all-girls schools, there would be some couples. And that surely won't pose a problem in those kind of society, while the vast majority of Strawberry Panic! characters are not lesbians, of course. However, experiencing some degree of affection (probably romantic) towards someone is a pretty natural thing for girls in their age and circumstances. Since only two pairs of characters were openly shown having an intimate relationship, that's completely within my expectations.
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Main characters, Nagisa and Shizuma are talking at the piano |
Music is what left me with some strange impressions. The composer is Yoshihisa Hirano. I knew him from the Death Note, Tatakau Shisho and Break Blade series. He is one of my favorite composers, actually. His usual style is imitation of classical pieces which he does quite well. He always uses authentic acoustic instruments besides synthesizers. He is particularly good in writing climactic pieces with choir and orchestra, but not as good in writing lyrical and melancholic pieces for instruments like piano, violin and oboe. He wrote a very decent music for Strawberry Panic! It just probably doesn't have the right touch and atmosphere. The "classical" parts don't fit with the mood. And the "modern" parts are just too short, too fleeting (like "Kaori no Theme" for example). What the soundtrack lacks is a solid romantic theme or/and the personal theme for the main characters, which would serve as the theme of love. There is only the theme of fate ("Unmei"), but it is not suited for "happy" romantic scenes. And so, the situation is like this: I really appreciate listening to the Strawberry Panic! OST as the standalone piece of music, but actually I wasn't impressed by the music while watching the show. I would also note, that the Strawberry Panic! OST are very similar in both style and touch with the Kannazuki no Miko OST (another shoujo-ai anime) which is one of my favorites, but the latter one is stronger in my opinion.
In conclusion, I just want to note two things, which I can explain in details only in the spoiler part of the review. The first one is that I really liked how the show ended. It somehow caught me completely off-guard. And the ending was by no means sudden or unpredictable, I just didn't see it coming because I had different expectations (I explain why in the second part). But the ending is very righteous in my opinion. The second one is that the show is full of what is called "mono no aware". It's a recurring motif which runs through the show and I deeply appreciated it. It is also strongly related to the reason why I think that the show's ending is "righteous". Actually, I would have rated the show much higher if it wasn't that boring.
Continue to the second part (spoilers)
As I've previously noted, Nagisa's storyline and Hikari's storyline are very similar. They are both transfer students, they both fall in love with the first and the second most popular girls in schools respectively and they both have a roommates who are secretly in love with them. I thought that their storylines were meant to contrast with each other. Hikari's relationships with Amane developed gradually but steadily, while Yaya hadn't been given a chance. Seeing that Nagisa's relationships with Shizuma were pretty irregular and misleading, I somehow didn't expect that Tamao would perfectly repeat Yaya's fate. Or rather I didn't expect that Shizuma would snatch Nagisa at the very last moment. But I'm happy she did it, from my point of view, that was the second best moment in the whole show. The first one was Shizuma's confrontation with Miyuki, who stated: "You are an Étoile", on what Shizuma replied: "But i am also human!" - that dialogue perfectly foreshadowed the ending, by the way, but I did not understand it at that moment. However, Shizuma always acted on a whim and in accordance with her emotions, disregarding anyone's expectations and sometimes even the common sense. That's what I like the most about her. Yet, it's those attitude what led her to falling in love with terminally ill Kaori, who soon passed away, leaving Shizuma heartbroken. And I personally don't think that there is a future for her with Nagisa also. After Shizuma graduates from St. Miator, she will probably never meet Nagisa again. So, as I see it, Shizuma once again goes into relationships which are doomed to be fleeting. But that fleetingness is exactly what makes the story beautiful in my eyes. Also, even though I feel sorry for Tamao, I doubt that Nagisa ever had any romantic feelings for her. Personally, I don't think that love is something that can be achieved through hard work alone.
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The villain team, Momomi and Kaname are probably the couple with the most sincere and mature relationship |
The other one whom I often felt sorry for, was Momomi. She was probably the only girl in the show besides Shizuma and Kaori, who was deeply in love with someone (I can't really say that Nagisa's, Hikari's or Amane's feeling were that deep), going as far as participating in Kaname's ignominious plans of seducing Hikari. While on the surface she and Kaname didn't seem to take each other seriously, it was obvious that Kaname had been the only one who was just playing initially. Regarding Kaname: Kaname's obsession with Amane was pretty stupid in my opinion. What's so big deal if someone is better than yourself in "everything"? If you don't have the talent, you should be plenty satisfied with being the number two. And Kaname's attempts to rape Hikari were just ridiculous. That should have been obvious for Momomi as well, but she patiently played along with it every time. Also, I think that Momomi actually didn't give a fuck about the Étoile title, she was serious about becoming Étoiles with Kaname only because she saw it as some kind of love bond. I also appreciated how Momomi always was the leader in their intimate relationships with Kaname. Seriously, Kaname should have been more happy, having such a nice girl as her partner and lover. I'm glad that she at least did make up with Momomi.
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